OMFG YOU GUYS! I cannot even deal with how friggin’ gorgeous Sandman Over #2 is! J.H. Williams III is a GOD. I will build an alter in his honor and put food there every Wednesday (because that’s the sacred comic book day). Next door to the JHW3 alter I will build a shrine in honor the letterer, Todd Klein. I will pray to The Endless there and all my dreams will come true.
Williams’ panels in Overture #2 are some of the most creative I’ve ever seen. But he’s been stuntin’ on these pages since Overture #1. Remember that “OMG IT’S A MOUTH! Panel”? Genius!
Well back to #2. I open the first page and there is Daniel Dream looking gorg in all white (Oh hey, boo. *wink*). But peep the panels! I mean can you even call them panels at this point? Well, the pentagon goes all Inception on us because it’s a panel within a panel. The pentagon shape itself probably has some Gaimanesque 4-layer literary meaning. But I can’t figure out because I’m lost in Dream’s beautiful black eyes.
Neil Gaiman’s story is too magnificent to be confined to regular box panels. The rest of the issue is all like, “Panels? WTF is a panel?”
Then you skip a few pages and you feel like you’ve taken some hallucinogen. But don’t worry, it’s just what happens when you combine the awesome power of Klein’s lettering, JHW3’s art and Gaiman’s words. You start trippin’!
Then there’s a freakin’ Dream convention which is both brilliant and hilarious. We meet the very first Dream (holy crap!) and all of the creatures he was/is Dream for (holy crap!). Then all of the different Dreams basically realize that they can be, “self-satisfied, irritating and self-possessed”. I love him, but come on; Dream can be such a dick. If you’re like me, you probably spent like 10 minutes on this page because there is so much going on. It’s so overwhelming! But it makes you happy because it’s so epic. I took the time to marvel at every single Dream.
This page is also where Todd Klein shows why he’s an OG. The thing with lettering in comics is you don’t really notice it most of the time because most speech bubbles are “regular”. But Klein’s lettering in Sandman is legend. My favorites are Dream’s black bubble with white text (and sometimes the opposite) and Delirum’s rainbow bubbles and irregular text size.
On the page below, he goes ham and each Dream gets their own unique speech bubble. This was my favorite part of the entire comic. I had so much a fun coming up with the voices for Dream to match the different types of bubbles.
Then some really cool things happen in the story. Like we find out Dream is going to see his DAD with the Dream of Cats. OMFGWUT?!