East of West: The Promise was exciting from panel to panel. I had to tell myself to slow down because I was so exited my eyes were jumping all over the page like a happy puppy not sure where to focus! Nick Dragotta blew me away once again with his art, especially the panels where The Raven and The Wolf transformed. How cool was that?! And we can’t forget about Frank Martin’s stunning coloring, which makes the world and characters blend and pop at the same time.
EoW definitely has some of my favorite character design in a series so far. Death and his black and white crew are the most remarkable. I’m pretty obsessed with The Raven. I also noticed in the scene when Death was kissing Xiaolian, his skin was black, and not the white skin we see now. It makes me think he’s been through some sort of rebirth (that probably has to do with her). Can’t wait to see what that’s all about. He went all Gandalf on us!
The scenes at the House of Mao were definitely the most exciting parts of the issue. When Death knocks on your door, you know sh*t’s about to go down! Not only was there a huge battle going on, but Jonathan Hickman still managed to weave in important dialogue about the story’s mythology. It was a bit of sensory overload, but I didn’t mind.
We get to see Famine, War and Conquest from a different point of view, too. Their tough demeanor falters during the scenes with Mister Chamberlain. You would assume the last thing you want is three-fourths of the Horsemen of Apocalypse angry with you, but Chamberlain told them who was boss, and his name is Death. Actually, I take that back, Xiaolian is the real boss. I mean she’s the one who conquered Death. He fell in love with her. And I hear he’s been around for quiet a while so that must mean something.
This issue showed me that East of West is the story of what happens when Death falls in love.